Here is a calendar of upcoming events, up and down the country. Some are organized by us, others by like-minded organizations and groups.
An unsettling vision of military service pervading everyday Israeli life, Samuel Maoz’s (Lebanon) visceral and startlingly unpredictable film centres on a Tel Aviv couple coping with the death of their son, a soldier stationed in the middle of nowhere.
“Maazo’s marvelous, harrowing drama about death and life in Israel marches boldly through the no-man’s-land between realism and surrealism. It’s prize collection of paradoxes, combining an intimate, eviscerating depiction of parental grief ove ra serviceman’s death with an empathic, absurdist rendering of young Israeli Defence Force soldiers manning a remote and otherworldly roadblock…
Foxtrot carries the excitement and punch of a fearless writer-director tackling contemporary material with a bracing cocktail of potent traditional drama, wild black comedy, and serrated style. [It all] comes together as a complex plea for honesty, openness, frankness, and forgiveness. The movie is also, incidentally, a spectacularly effective antiwar film, focusing on the randomness and cruelty of life lived on military roads… Its final image resters like a blow to the chest. It’s a shot that should be seen around the world.” — Michael Sragow, Film Comment
“[Foxtrot] contains some of themost striking, memorable imagery of the year… It’s a film designed tomove you with its depiction of senseless tragedy but also to spark that part of your thinking process that only moviemaking can tap… This multitalented filmmaker has taken that darkness and turned it into something unforgettable for everyone who sees it.” — Brian Tallerico, RobertEbert.com
Awards: Grand Jury Price, Venice Film Festival 2017
Hebrew, Arabic and German, with English subtitles; 113 minutes.
An unsettling vision of military service pervading everyday Israeli life, Samuel Maoz’s (Lebanon) visceral and startlingly unpredictable film centres on a Tel Aviv couple coping with the death of their son, a soldier stationed in the middle of nowhere.
“Maazo’s marvelous, harrowing drama about death and life in Israel marches boldly through the no-man’s-land between realism and surrealism. It’s prize collection of paradoxes, combining an intimate, eviscerating depiction of parental grief ove ra serviceman’s death with an empathic, absurdist rendering of young Israeli Defence Force soldiers manning a remote and otherworldly roadblock…
Foxtrot carries the excitement and punch of a fearless writer-director tackling contemporary material with a bracing cocktail of potent traditional drama, wild black comedy, and serrated style. [It all] comes together as a complex plea for honesty, openness, frankness, and forgiveness. The movie is also, incidentally, a spectacularly effective antiwar film, focusing on the randomness and cruelty of life lived on military roads… Its final image resters like a blow to the chest. It’s a shot that should be seen around the world.” — Michael Sragow, Film Comment
“[Foxtrot] contains some of themost striking, memorable imagery of the year… It’s a film designed tomove you with its depiction of senseless tragedy but also to spark that part of your thinking process that only moviemaking can tap… This multitalented filmmaker has taken that darkness and turned it into something unforgettable for everyone who sees it.” — Brian Tallerico, RobertEbert.com
Awards: Grand Jury Price, Venice Film Festival 2017
Hebrew, Arabic and German, with English subtitles; 113 minutes.
Have you ever wondered why Christians are instructed to regularly use bread and wine to remember the death of Jesus? Explore Jesus’ last Passover meal and find out!
This demonstration of the ancient Passover meal powerfully reveals the sacrificial ministry of Jesus as the Lamb of God, and uncovers the roots of the Christian communion, using the very elements God prescribed for the Seder itself. The 1-hour demonstration is an unforgettable journey through the “Last Supper,” which was, in fact, the Messiah’s last Passover meal…until He returns!
Have you ever wondered why Jesus used bread and wine to talk about his sacrifice for us? Explore Jesus’ last Passover meal for yourself and find out!
This demonstration of the ancient Passover Seder meal powerfully reveals the sacrificial ministry of Jesus as the Lamb of God, and uncovers the roots of the Christian communion, using the very elements God prescribed for the Seder itself. The 3-hour experience is an unforgettable journey through the “Last Supper,” which was, in fact, the Messiah’s last Passover Seder…until He returns!
Join Scott Brown and discover how this ancient holiday is GOOD NEWS for us today.
We will enjoy a shared dinner and dessert, so please bring a plate if you are able. Hot and cold drinks will be provided. A donation toward the venue hire and a gift for the speaker will be appreciated.
RSVP Sue Whitcombe at office@jesusfirst.org.nz or 027 663 5009.
Have you ever wondered why Jesus used bread and wine to talk about his sacrifice for us? Explore Jesus’ last Passover meal for yourself and find out!
This demonstration of the ancient Passover Seder meal powerfully reveals the sacrificial ministry of Jesus as the Lamb of God, and uncovers the roots of the Christian communion, using the very elements God prescribed for the Seder itself. The 3-hour experience is an unforgettable journey through the “Last Supper,” which was, in fact, the Messiah’s last Passover Seder…until He returns!
Join Zohar Gonen and discover how this ancient holiday is GOOD NEWS for us today.
RSVP to Christine Naseri at 03 545 2409.
Have you ever wondered why Jesus used bread and wine to talk about his sacrifice for us? Explore Jesus’ last Passover meal for yourself and find out!
This demonstration of the ancient Passover Seder meal powerfully reveals the sacrificial ministry of Jesus as the Lamb of God, and uncovers the roots of the Christian communion, using the very elements God prescribed for the Seder itself. The 2 1/2 hour experience is an unforgettable journey through the “Last Supper,” which was, in fact, the Messiah’s last Passover Seder…until He returns!
Join Nigel Christensen and discover how this ancient holiday is GOOD NEWS for us today.
Cost: $15 single / $25 couple (no children)
RSVP by 10 March to Pastor Steve Hollis at 021 074 6435 or hollissm@xtra.co.nz.
Where: Spark Room, Christchurch Central Library, Turanga.
When: 2.00pm, Sunday, June 16.
Admission: A plate of finger food. Please avoid pork and seafood products. A collection will be taken to defray expenses.
NZ Friends of Israel wishes to acknowledge the kind support of the Holocaust Centre of NZ. This address was originally part of their Human Rights Series of lectures.
ABOUT THE SPEAKER
Having written over 25 books, Professor Paul Moon is one of New Zealand’s best-selling and respected historians and social commentators.
His specialist area is New Zealand history, and in 2014, he was shortlisted for the international Ernest Scott Prize in History for his book Encounters: The Creation of New Zealand, which academics described as ‘powerful’ and ‘truly fascinating’. His works have been published by Penguin Random House, and HarperCollins.
He has worked on several Treaty claims, and with numerous government agencies, on Treaty-related issues. In 2003 he was elected a Fellow of the Royal Historical Society at University College, London, and has since gained fellowships in the Royal Geographical Society and the Royal Society of Arts. He also has been a consultant on documentaries about New Zealand history
ABOUT THE SPEAKER
Andrew Tucker (1963) studied law in Australia (BA/LLB), UK (BCL) and The Netherlands, and has worked since 1988 as an adviser and consultant to private companies, governments and (semi-)public entities in various fields of international law.
Andrew was a Fellow of the Law Faculty of the University of Melbourne from 1994 to 2001, and Research Associate at the TMC Asser Institute in The Hague from 1996-1998. Based in The Netherlands, he is Principal of Tucker & Associates.
Andrew is co-author of ‘Israel on Trial’, Soest (NLD), thinc. (2018) and “Two states for two peoples?” (2022/23)