Here is a calendar of upcoming events, up and down the country. Some are organized by us, others by like-minded organizations and groups.
It’s that time of the year again folks.
Please submit nominations for Committee members and President one week beforehand, being 5pm Sunday 14 August.
After the formalities are over, we will be showing the movie “The Concert.”
“The Concert” is a 2009 French comedy-drama film by Radu Mihăileanu, starring Aleksei Guskov, Mélanie Laurent and Miou-Miou.
It is about the redemption of a former world-famous conductor of the Bolshoi Theatre orchestra, known as “The Maestro,” Andrey Simonovich Filipov, who had had his career publicly broken by Leonid Brezhnev for defending Jewish musicians and is reduced to working as a mere janitor in the theatre where he once conducted, becoming an alcoholic in the process.
It won the Best Original Score and Best Sound awards at César Awards 2010. It was also nominated for two Magritte Awards in the category of Best Film in Coproduction and Best Editing for Ludo Troch in 2011, and Best Foreign Film at the 68th Golden Globe Awards.
Please bring a plate of finger food. We’d be grateful if you avoided pork or seafood products.
CANTERBURY UNIVERSITY: RAPHAEL WEIN AND NAFTALI GROSS
Tuesday October 25, 12 noon
THE NZ INSTITUTE OF INTERNATIONAL AFFAIRS INVITES YOU TO WHAT PROMISES TO BE AN ENGAGING AND FASCINATING ADDRESS
Ethical Dilemmas of Serving in the Israeli Defense Forces: Israel’s war against terrorism.
About the Speakers:
Raphael is a Business Administration and Political Science Student at Ariel University and is a reservist in the IDF. Naftali is a medical student at the Hebrew University and a volunteer paramedic for Magen David (the equivalent of St John’s Ambulance Service in NZ) and is also a reservist in the IDF. Both were combatants in the 2014 Gaza War.
Venue: Logie 104, University of Canterbury, Ilam, Christchurch.
A map showing the location of the venue may be obtained by clicking this link.
Admission is free
Feel free to pass this notice on to anyone else you feel may be interested.
An unsettling vision of military service pervading everyday Israeli life, Samuel Maoz’s (Lebanon) visceral and startlingly unpredictable film centres on a Tel Aviv couple coping with the death of their son, a soldier stationed in the middle of nowhere.
“Maazo’s marvelous, harrowing drama about death and life in Israel marches boldly through the no-man’s-land between realism and surrealism. It’s prize collection of paradoxes, combining an intimate, eviscerating depiction of parental grief ove ra serviceman’s death with an empathic, absurdist rendering of young Israeli Defence Force soldiers manning a remote and otherworldly roadblock…
Foxtrot carries the excitement and punch of a fearless writer-director tackling contemporary material with a bracing cocktail of potent traditional drama, wild black comedy, and serrated style. [It all] comes together as a complex plea for honesty, openness, frankness, and forgiveness. The movie is also, incidentally, a spectacularly effective antiwar film, focusing on the randomness and cruelty of life lived on military roads… Its final image resters like a blow to the chest. It’s a shot that should be seen around the world.” — Michael Sragow, Film Comment
“[Foxtrot] contains some of themost striking, memorable imagery of the year… It’s a film designed tomove you with its depiction of senseless tragedy but also to spark that part of your thinking process that only moviemaking can tap… This multitalented filmmaker has taken that darkness and turned it into something unforgettable for everyone who sees it.” — Brian Tallerico, RobertEbert.com
Awards: Grand Jury Price, Venice Film Festival 2017
Hebrew, Arabic and German, with English subtitles; 113 minutes.
An unsettling vision of military service pervading everyday Israeli life, Samuel Maoz’s (Lebanon) visceral and startlingly unpredictable film centres on a Tel Aviv couple coping with the death of their son, a soldier stationed in the middle of nowhere.
“Maazo’s marvelous, harrowing drama about death and life in Israel marches boldly through the no-man’s-land between realism and surrealism. It’s prize collection of paradoxes, combining an intimate, eviscerating depiction of parental grief ove ra serviceman’s death with an empathic, absurdist rendering of young Israeli Defence Force soldiers manning a remote and otherworldly roadblock…
Foxtrot carries the excitement and punch of a fearless writer-director tackling contemporary material with a bracing cocktail of potent traditional drama, wild black comedy, and serrated style. [It all] comes together as a complex plea for honesty, openness, frankness, and forgiveness. The movie is also, incidentally, a spectacularly effective antiwar film, focusing on the randomness and cruelty of life lived on military roads… Its final image resters like a blow to the chest. It’s a shot that should be seen around the world.” — Michael Sragow, Film Comment
“[Foxtrot] contains some of themost striking, memorable imagery of the year… It’s a film designed tomove you with its depiction of senseless tragedy but also to spark that part of your thinking process that only moviemaking can tap… This multitalented filmmaker has taken that darkness and turned it into something unforgettable for everyone who sees it.” — Brian Tallerico, RobertEbert.com
Awards: Grand Jury Price, Venice Film Festival 2017
Hebrew, Arabic and German, with English subtitles; 113 minutes.
The Failure of the
UN and International Law in Syria:
A Classical Realist Perspective
Speaker: Jeremy Moses
Date: Monday 13 August 2018
Time: 5pm for 5:30pm
Venue: South Arts Lecture Theatre A4
Have you ever wondered why Christians are instructed to regularly use bread and wine to remember the death of Jesus? Explore Jesus’ last Passover meal and find out!
This demonstration of the ancient Passover meal powerfully reveals the sacrificial ministry of Jesus as the Lamb of God, and uncovers the roots of the Christian communion, using the very elements God prescribed for the Seder itself. The 1-hour demonstration is an unforgettable journey through the “Last Supper,” which was, in fact, the Messiah’s last Passover meal…until He returns!
Have you ever wondered why Jesus used bread and wine to talk about his sacrifice for us? Explore Jesus’ last Passover meal for yourself and find out!
This demonstration of the ancient Passover Seder meal powerfully reveals the sacrificial ministry of Jesus as the Lamb of God, and uncovers the roots of the Christian communion, using the very elements God prescribed for the Seder itself. The 3-hour experience is an unforgettable journey through the “Last Supper,” which was, in fact, the Messiah’s last Passover Seder…until He returns!
Join Scott Brown and discover how this ancient holiday is GOOD NEWS for us today.
We will enjoy a shared dinner and dessert, so please bring a plate if you are able. Hot and cold drinks will be provided. A donation toward the venue hire and a gift for the speaker will be appreciated.
RSVP Sue Whitcombe at office@jesusfirst.org.nz or 027 663 5009.
Have you ever wondered why Jesus used bread and wine to talk about his sacrifice for us? Explore Jesus’ last Passover meal for yourself and find out!
This demonstration of the ancient Passover Seder meal powerfully reveals the sacrificial ministry of Jesus as the Lamb of God, and uncovers the roots of the Christian communion, using the very elements God prescribed for the Seder itself. The 3-hour experience is an unforgettable journey through the “Last Supper,” which was, in fact, the Messiah’s last Passover Seder…until He returns!
Join Zohar Gonen and discover how this ancient holiday is GOOD NEWS for us today.
RSVP to Christine Naseri at 03 545 2409.
Have you ever wondered why Jesus used bread and wine to talk about his sacrifice for us? Explore Jesus’ last Passover meal for yourself and find out!
This demonstration of the ancient Passover Seder meal powerfully reveals the sacrificial ministry of Jesus as the Lamb of God, and uncovers the roots of the Christian communion, using the very elements God prescribed for the Seder itself. The 2 1/2 hour experience is an unforgettable journey through the “Last Supper,” which was, in fact, the Messiah’s last Passover Seder…until He returns!
Join Nigel Christensen and discover how this ancient holiday is GOOD NEWS for us today.
Cost: $15 single / $25 couple (no children)
RSVP by 10 March to Pastor Steve Hollis at 021 074 6435 or hollissm@xtra.co.nz.
We are forming a group to go view this documentary on Sunday June 16. If you’d like to join up, call our Wellington Regional Coordinator, Joanna Moss on (022) 154 7865.
“…by the end, Keane and McConnell are tugging so hard at heartstrings that most viewers will be unable to resist, even the ones who can see the puppeteers in constant motion.” – Hollywood Reporter
It’s hard to imagine anybody living a normal life in the Gaza Strip. Frequently labelled as the world’s largest open-air prison, it makes an appearance on news reports every time a confrontation erupts between Israel and Hamas. On TV sets thousands of miles away, this tiny piece of land has been reduced to an image of violence, chaos and destruction.
The Gaza which is seldom seen is ordinary, everyday Gaza, a coastal strip smaller than Lake Taupō and home to an eclectic mix of almost two million.
So what do the people who live there do when they’re not under siege?
Gary Keane and Andrew McConnell’s atypical approach to their subject matter yields unexpected, unfamiliar stories of people plagued by conflict but not defined by it.
“We don’t wanna be killed or injured. We simply want to live.”
– Paramedic in Gaza
Gaza cannot be understood in a purely political context or by analysing tragic sound bites during conflict. It can only be understood by immersion, by living amongst its people and by recognizing and exploring its rich social diversity and cultural subtleties.
As the filmmakers travel through the physically broken and battered landscape, they allow their subjects to speak for themselves.
Through them, we gain a nuanced understanding of what life is really like for Gaza’s citizens. In Keane and McConnell’s tender portrait of beleaguered humanity, we experience familiarity and affinity with this unique community.
100% on Rotten Tomatoes