Calendar

JIFF is the home of the most comprehensive range of Israeli and Jewish-themed films in Australia and New Zealand. The films premiere in our annual three-week film festival in November or our newly established Holocaust Film Series in March. JIFF is building on the long and proud 24-year history of Jewish film festivals in Australia.

Son of Saul (2015)

In the horror of 1944 Auschwitz, a prisoner forced to burn the corpses of his own people finds moral survival upon trying to salvage from the flames the body of a boy he takes for his son. 107 minutes.

Cannes Film Festival 2015

Ghent International Film Festival 2015

Hamburg Film Festival 2015

Hawaii International Film Festival 2015

London Film Festival 2015

Sarajevo Film Festival 2015

If you’ve not heard of Israeli choreographer Ohad Naharin, you’ll wonder how that could have been once you’ve seen what he does in this film. For dance aficionados, this is surely the most anticipated artist portrait since Wim Wenders’ Pina.

“A spectacular and celebratory investigation of a modern dancer’s creative process, this documentary tracks the four decades-long career of renowned choreographer Ohad Naharin, the artistic director of Israel’s Batsheva Dance Company. Thoughtfully and painstakingly researched, the film is packed with visually arresting archival footage from every stage of Naharin’s professional (and personal) life…

Choreographed pieces move in kinetic bursts from the rehearsal studio to the stage and, in interviews, dancers who’ve worked with him and colleagues from different periods offer insights in terms both admiring and blunt. Naharin is similarly expressive – about… the joys of physical expression, his struggles to convey his vision to those tasked with embodying it and the dance-world backdrop against which he developed his singular choreographic style and movement language, known as Gaga.

Heymann, a veteran documentarian whose filmography includes an earlier work about Naharin, skillfully constructs a portrait from these elements, methodically adding layers and sometimes revisiting previously seen footage, arming the viewer with new revelations and a more complicated understanding.” — Lynn Rapoport, San Francisco International Film Festival

Investigative journalism meets conspiracy thriller as Alex Gibney (Going Clear, NZIFF15) goes on the trail of Stuxnet, the extraordinary computer virus that metastasised around the world before it arrived at its target, Iranian nuclear facilities, and performing its mission: exploding uranium-enrichment centrifuges.

Undeterred by muzzled officials, the indomitable Gibney shows how Stuxnet – or ‘Olympic Games’, as its architects called it – was cooked up covertly by the US and Israel, creating a new level of virus complexity and a new class of weapon. One of Gibney’s sources, dramatised as a composite individual and played by a digitally reconstituted actor (one of many striking visual effects), says the worm may never have come to public attention had it not been for a unilateral Israeli move to recalibrate Stuxnet’s code and accelerate its impact. A wider operation had to be abandoned, and Tehran retaliated in kind, attacking US institutions with malware and parading its own burgeoning ‘cyber army’.

Gibney manages not only to illuminate in plain terms how Stuxnet worked, but to also issue a powerful warning about the Pandora’s box it opens. Echoing ideas explored in his WikiLeaks documentary We Steal Secrets, Gibney argues that in the face of an emerging cyber-conflict threat, which is analogous to that of nuclear weapons many decades ago, international norms and rules of engagement must be developed outside the shadows of secrecy and denial. — Toby Manhire

“Zero Days is reminiscent of that scene in Skyfall when Q tells 007 that he can do more damage with his laptop before his morning cup of Earl Grey than Bond can do in a year.” — Nicholas Barber, BBC

The German-Jewish philosopher Hannah Arendt left her indelible imprint on 20th-century thought by coining the concept of the ‘banality of evil’ when reporting on the 1963 trial of Nazi war criminal Adolph Eichmann. This spirited documentary illuminates that often abused idea and draws a larger picture of Arendt’s often conflicted engagement with the defining phenomena of her era – and maybe ours too.

Richly illustrated with historical footage, Vita Activa offers an intimate portrait of Arendt’s life and work – both deeply informed by the aftermath of World War I, the rise of Nazi Germany and its systematic elimination of European Jews.

“Directed by Israeli documentarian Ada Ushpiz, who has degrees in philosophy and history as well as filmmaking experience, Vita Activa closely examines Arendt’s ‘active life’ with the goal of putting us inside her formative experiences, the better to reveal who she was and where her attitudes came from. There are interviews with old friends and academic experts and extensive use of filmed interviews Arendt herself gave, as well as the effective reading of excerpts from her essays and letters by actress Alison Darcy. Though the talk is smart and constant here, Vita Activa also benefits from the director’s sharp eye for effective, often rarely seen newsreel and home-movie footage.” — Kenneth Turan, LA Times

“There are moments in Vita Activa, an urgent and often startling documentary from Israeli director Ada Ushpiz, where I could feel her trying to reach across the decades and talk to us.” — Andrew O’Hehir, Salon

CANTERBURY UNIVERSITY: RAPHAEL WEIN AND NAFTALI GROSS

Tuesday October 25, 12 noon

 THE NZ INSTITUTE OF INTERNATIONAL AFFAIRS INVITES YOU TO WHAT PROMISES TO BE AN ENGAGING AND FASCINATING ADDRESS

Ethical Dilemmas of Serving in the Israeli Defense Forces:  Israel’s war against terrorism.

About the Speakers:

Raphael is a Business Administration and Political Science Student at Ariel University and is a reservist in the IDF.  Naftali is a medical student at the Hebrew University and a volunteer paramedic for Magen David (the equivalent of St John’s Ambulance Service in NZ) and is also a reservist in the IDF.  Both were combatants in the 2014 Gaza War. 

Venue:  Logie 104, University of Canterbury, Ilam, Christchurch.
A map showing the location of the venue may be obtained by clicking this link.

Admission is free

Feel free to pass this notice on to anyone else you feel may be interested.

A NZFOI Wellington Outing – Tuesday 9th May 2017 6.15pm @ Penthouse Cinema Brooklyn. 

(Meet from 5.45pm for drinks first if you can)

Come along and see the movie “Denial” with other NZFOI folk.  Tickets only $10.

Did you know that the Simon Weisenthal Centre’s work now is primarily geared to countering holocaust denial and pursuing holocaust deniers like David Irving. Consider what does it take legally to do this? What is the holocaust evidence?

Movie Synopsis:

A Jewish university professor in Jewish studies at an American university named Deborah E. Lipstadt (Rachel Weisz) cites historian David Irving in a book about Holocaust deniers. Pretty straight forward you would think. An open and shut case over the death of 6 million Jews. Think Yad Vashem, Auschwitz… Irving then accuses her of libel and brings an action against her. Now the tables are turned and she is the one being accused. The key issue becomes a legal battle for historical truth. As the burden of proof is placed on the accused, Lipstadt and her legal team must fight to prove the truth of the holocaust. How would you answer this question????

RSVP Joanna Moss at joannamoss@nzfoi.org or phone (04) 802 5956 or (022) 154 7865

You’re invited to a free screening of the movie “Woman in Gold.”

It is the story of  Maria Altmann, an elderly Jewish refugee living in Cheviot Hills, Los Angeles, who, together with her young lawyer, Randy Schoenberg, fought the government of Austria for almost a decade to reclaim Gustav Klimt’s iconic painting of her aunt, Portrait of Adele Bloch-Bauer I, which was stolen from her relatives by the Nazis in Vienna just prior to World War II. Altmann took her legal battle all the way to the Supreme Court of the United States, which ruled on the case Republic of Austria v. Altmann (2004).

It stars Helen Mirren, Ryan Reynolds, Daniel Brühl, Katie Holmes, Tatiana Maslany, Max Irons, Charles Dance, Elizabeth McGovern, and Jonathan Pryce.

A strong cast, an absorbing story.

The film scores 4.7 out of five on Amazon reviews.

Please bring a plate of finger food.  The library will be open so be sure to bring your returns.

Sunday, 2pm, May 14.

Northwood Villa Clubrooms, Northwood Villas Crescent, Christchurch, 8051.

Operation Entebbe after 40 Years: A personal recollection

ABOUT THE SPEAKER

In 1976, when an Air France place was hijacked and rerouted to Entebbe, Rami was the Operations Officer of the unit, under the command of Yoni Netanyahu.

In his capacity as Operations Officer, he was in involved throughout the week, preparing the unit for the Operation.

Among other things, he coordinated with Dan Shomron, the Commander of the Operation, and the Israeli Air Force.

Within the Operation, Rami was part of the 33 officers and soldiers who freed the hostages at the Entebbe terminal. He arrived with the first Hercules that landed in the airport, and was in the car that was driving behind the famous Mercedes.

After Yoni Netanyahu was injured, he drove him to the Hercules, where a team of medical professionals were waiting, but unfortunately they could not save Yoni’s life.

Later, Rami was the commander who led the rescued hostages to the Hercules.

Upon returning to Israel, Rami continued to serve in the unit, and was a Special Operations Commander until 1980.

After he was released from active duty, he helped establish the reserves unit.

Rami Sherman was born on 4 April 1953. His parents were Holocaust survivors and came to Israel in 1945.

Rami grew up on Kibbutz Lehavot Habashan, which is in the north of the country and was on the Syrian border until the Six Day War in 1967. He was educated in the Kibbutz system.

In 1972, Rami enlisted in the army and was accepted into an elite special forces unit, which today is allowed to be named – Sayeret Matkal (the Chief of Staff’s Special Forces). He successfully completed the combat soldier course and was sent to Officers’ School in order to return and receive command of a squad within the unit.

At age 50, he was released from doing reserve service.

Rami is married, has two daughters and grandfather to five grandchildren.

In 1990, Rami finished his studies in physiotherapy at the University of Tel Aviv, and since that time he has worked as a physiotherapist in various positions, including, among other things, as a physiotherapist for the Israeli Olympic team.

In 1993, Rami and his family moved to Kibbutz Ma’agan Michael, where they still live today.

How I survived the Holocaust in Czechoslovakia

Please note that the venue has been changed from Room 201 to Room 203 in the same building.

ABOUT THE SPEAKER

Peter Gaspar is a Holocaust survivor and educator, who uses his experiences to help inform young people about the dangers of prejudice and discrimination. Peter was born in Bratislava in Czechoslovakia and survived the war by going into hiding. Along with his parents, Peter was hidden for three years and then during the last six months, Peter and his mother were interned in the Terezin Concentration Camp. Peter currently volunteers with the Courage to Care program in Melbourne inspiring young people to be more accepting and tolerant. This year he will also be travelling to schools throughout New Zealand, through the HOPE Project.

How I survived the Holocaust in Czechoslovakia

ABOUT THE SPEAKER

Peter Gaspar is a Holocaust survivor and educator, who uses his experiences to help inform young people about the dangers of prejudice and discrimination. Peter was born in Bratislava in Czechoslovakia and survived the war by going into hiding. Along with his parents, Peter was hidden for three years and then during the last six months, Peter and his mother were interned in the Terezin Concentration Camp. Peter currently volunteers with the Courage to Care program in Melbourne inspiring young people to be more accepting and tolerant. This year he will also be travelling to schools throughout New Zealand, through the HOPE Project.