Here is a calendar of upcoming events, up and down the country. Some are organized by us, others by like-minded organizations and groups.
If you’ve not heard of Israeli choreographer Ohad Naharin, you’ll wonder how that could have been once you’ve seen what he does in this film. For dance aficionados, this is surely the most anticipated artist portrait since Wim Wenders’ Pina.
“A spectacular and celebratory investigation of a modern dancer’s creative process, this documentary tracks the four decades-long career of renowned choreographer Ohad Naharin, the artistic director of Israel’s Batsheva Dance Company. Thoughtfully and painstakingly researched, the film is packed with visually arresting archival footage from every stage of Naharin’s professional (and personal) life…
Choreographed pieces move in kinetic bursts from the rehearsal studio to the stage and, in interviews, dancers who’ve worked with him and colleagues from different periods offer insights in terms both admiring and blunt. Naharin is similarly expressive – about… the joys of physical expression, his struggles to convey his vision to those tasked with embodying it and the dance-world backdrop against which he developed his singular choreographic style and movement language, known as Gaga.
Heymann, a veteran documentarian whose filmography includes an earlier work about Naharin, skillfully constructs a portrait from these elements, methodically adding layers and sometimes revisiting previously seen footage, arming the viewer with new revelations and a more complicated understanding.” — Lynn Rapoport, San Francisco International Film Festival
Investigative journalism meets conspiracy thriller as Alex Gibney (Going Clear, NZIFF15) goes on the trail of Stuxnet, the extraordinary computer virus that metastasised around the world before it arrived at its target, Iranian nuclear facilities, and performing its mission: exploding uranium-enrichment centrifuges.
Undeterred by muzzled officials, the indomitable Gibney shows how Stuxnet – or ‘Olympic Games’, as its architects called it – was cooked up covertly by the US and Israel, creating a new level of virus complexity and a new class of weapon. One of Gibney’s sources, dramatised as a composite individual and played by a digitally reconstituted actor (one of many striking visual effects), says the worm may never have come to public attention had it not been for a unilateral Israeli move to recalibrate Stuxnet’s code and accelerate its impact. A wider operation had to be abandoned, and Tehran retaliated in kind, attacking US institutions with malware and parading its own burgeoning ‘cyber army’.
Gibney manages not only to illuminate in plain terms how Stuxnet worked, but to also issue a powerful warning about the Pandora’s box it opens. Echoing ideas explored in his WikiLeaks documentary We Steal Secrets, Gibney argues that in the face of an emerging cyber-conflict threat, which is analogous to that of nuclear weapons many decades ago, international norms and rules of engagement must be developed outside the shadows of secrecy and denial. — Toby Manhire
“Zero Days is reminiscent of that scene in Skyfall when Q tells 007 that he can do more damage with his laptop before his morning cup of Earl Grey than Bond can do in a year.” — Nicholas Barber, BBC
The German-Jewish philosopher Hannah Arendt left her indelible imprint on 20th-century thought by coining the concept of the ‘banality of evil’ when reporting on the 1963 trial of Nazi war criminal Adolph Eichmann. This spirited documentary illuminates that often abused idea and draws a larger picture of Arendt’s often conflicted engagement with the defining phenomena of her era – and maybe ours too.
Richly illustrated with historical footage, Vita Activa offers an intimate portrait of Arendt’s life and work – both deeply informed by the aftermath of World War I, the rise of Nazi Germany and its systematic elimination of European Jews.
“Directed by Israeli documentarian Ada Ushpiz, who has degrees in philosophy and history as well as filmmaking experience, Vita Activa closely examines Arendt’s ‘active life’ with the goal of putting us inside her formative experiences, the better to reveal who she was and where her attitudes came from. There are interviews with old friends and academic experts and extensive use of filmed interviews Arendt herself gave, as well as the effective reading of excerpts from her essays and letters by actress Alison Darcy. Though the talk is smart and constant here, Vita Activa also benefits from the director’s sharp eye for effective, often rarely seen newsreel and home-movie footage.” — Kenneth Turan, LA Times
“There are moments in Vita Activa, an urgent and often startling documentary from Israeli director Ada Ushpiz, where I could feel her trying to reach across the decades and talk to us.” — Andrew O’Hehir, Salon
An unsettling vision of military service pervading everyday Israeli life, Samuel Maoz’s (Lebanon) visceral and startlingly unpredictable film centres on a Tel Aviv couple coping with the death of their son, a soldier stationed in the middle of nowhere.
“Maazo’s marvelous, harrowing drama about death and life in Israel marches boldly through the no-man’s-land between realism and surrealism. It’s prize collection of paradoxes, combining an intimate, eviscerating depiction of parental grief ove ra serviceman’s death with an empathic, absurdist rendering of young Israeli Defence Force soldiers manning a remote and otherworldly roadblock…
Foxtrot carries the excitement and punch of a fearless writer-director tackling contemporary material with a bracing cocktail of potent traditional drama, wild black comedy, and serrated style. [It all] comes together as a complex plea for honesty, openness, frankness, and forgiveness. The movie is also, incidentally, a spectacularly effective antiwar film, focusing on the randomness and cruelty of life lived on military roads… Its final image resters like a blow to the chest. It’s a shot that should be seen around the world.” — Michael Sragow, Film Comment
“[Foxtrot] contains some of themost striking, memorable imagery of the year… It’s a film designed tomove you with its depiction of senseless tragedy but also to spark that part of your thinking process that only moviemaking can tap… This multitalented filmmaker has taken that darkness and turned it into something unforgettable for everyone who sees it.” — Brian Tallerico, RobertEbert.com
Awards: Grand Jury Price, Venice Film Festival 2017
Hebrew, Arabic and German, with English subtitles; 113 minutes.
An unsettling vision of military service pervading everyday Israeli life, Samuel Maoz’s (Lebanon) visceral and startlingly unpredictable film centres on a Tel Aviv couple coping with the death of their son, a soldier stationed in the middle of nowhere.
“Maazo’s marvelous, harrowing drama about death and life in Israel marches boldly through the no-man’s-land between realism and surrealism. It’s prize collection of paradoxes, combining an intimate, eviscerating depiction of parental grief ove ra serviceman’s death with an empathic, absurdist rendering of young Israeli Defence Force soldiers manning a remote and otherworldly roadblock…
Foxtrot carries the excitement and punch of a fearless writer-director tackling contemporary material with a bracing cocktail of potent traditional drama, wild black comedy, and serrated style. [It all] comes together as a complex plea for honesty, openness, frankness, and forgiveness. The movie is also, incidentally, a spectacularly effective antiwar film, focusing on the randomness and cruelty of life lived on military roads… Its final image resters like a blow to the chest. It’s a shot that should be seen around the world.” — Michael Sragow, Film Comment
“[Foxtrot] contains some of themost striking, memorable imagery of the year… It’s a film designed tomove you with its depiction of senseless tragedy but also to spark that part of your thinking process that only moviemaking can tap… This multitalented filmmaker has taken that darkness and turned it into something unforgettable for everyone who sees it.” — Brian Tallerico, RobertEbert.com
Awards: Grand Jury Price, Venice Film Festival 2017
Hebrew, Arabic and German, with English subtitles; 113 minutes.
In collaboration with Victoria University of Wellington & AUT – Auckland University of Technology, & supported by New Zealand Human Rights Commission the Holocaust Centre of New Zealand brings you, ‘At the Forefront – Human Rights Speaker Series’, a forum for discussion & debate on Human Rights.
Paul Moon is a New Zealand historian and a professor at the Auckland University of Technology.
He is a prolific writer of New Zealand history and biography, specialising in Māori history, the Treaty of Waitangi and the early period of Crown rule.
In collaboration with Victoria University of Wellington & AUT – Auckland University of Technology, & supported by New Zealand Human Rights Commission the Holocaust Centre of New Zealand brings you, ‘At the Forefront – Human Rights Speaker Series’, a forum for discussion & debate on Human Rights.
Paul Moon is a New Zealand historian and a professor at the Auckland University of Technology.
He is a prolific writer of New Zealand history and biography, specialising in Māori history, the Treaty of Waitangi and the early period of Crown rule.
Iron Dome SAM missiles on the left, rise up to intercept Hamas’ rockets on the right.
CHRISTCHURCH: IN THE WAKE OF THE LATEST GAZA-ISRAEL CONFLICT, WHAT’S NEXT?
20 June 2021, 2.30pm
Halswell Community Centre, 328 Halswell Rd, Christchurch.
GPS coordinates: -43.581902, 172.568741
- Why did the police storm the Temple Mount?
- What is Sheikh Jerrah?
- How was the conflict conducted by both sides?
- What was the reaction in NZ to the conflict?
- Why was there no public rally in support of Israel in Christchurch?
Please bring a plate of finger food. No seafood or pork based products, thanks.
Limmud is a cross-communal ‘festival of learning’ which last year attracted over 25000 participants to its events, held across five continents, in almost forty countries. It started in the UK 30 years ago where the annual five-day event now attracts 2,500 people from across the religious spectrum and boasts 350 presenters offering some 900 sessions.
Limmud aims to enable each participant to go one step further on their own Jewish journey. One of the key principles behind what has now become an international cross-communal movement is that we all have something to contribute and can learn from each other. Presenters are treated as part of the community, they are volunteers like those who organise the events and all are rewarded by the opportunity to learn from each other. Becoming Limmud NZ makes us part of an exciting worldwide movement.
Limmud has core principles that we feel reflect our community. The catchphrase behind Limmud is “Every Jew should be a student and everyone can be a teacher”. This seems very much to capture what our organizing committee believes, and we are eager for more local presenters to put themselves forward and to encourage people to volunteer. Even an hour will make a huge difference to the success of the first Limmud conference on 18/19 August. Expanding Jewish horizons, empowering individuals to contribute to their community and enabling connections to be made between individuals and across communities are the values behind Limmud International and behind Limmud NZ. We also love the emphasis on ensuring all participants feel equally respected and comfortable at Limmud, no matter which shul they go to, or don’t go to. All Limmud events will be strictly kosher to enable participants to eat and enjoy together.
Limmud, of course, means learning and it is about learning but not in a formalized way. The great thing about the format is it is “pick and mix”. Each session runs for an hour, and there are five different streams to choose from.You just pick what you want to go to – discussion of an ethical dilemma with local and international experts, an intimate text study, a film discussion, or sessions relating to parenting issues. If you need a break for a session, grab a coffee and schmooze. The only thing we can’t do for you is arrange for you to be at two sessions at once – although some sessions are repeated.
Keep these dates free, more information to come.
L’DOR V’DOR SPEAKER SERIES
Wednesday 26 June, 12PM
Histories of Hate: the Radical Right in Aotearoa New Zealand explores intolerance and extremism in Aotearoa New Zealand, from the precursors of the radical right during British settlement in the late nineteenth century to today’s conspiracists and keyboard warriors. The volume reveals the complexities of Aotearoa’s radical right traditions. It discusses how, through time, various groups have been animated by a diverse mix of ideas, idealogues, organisations, social clubs, and political parties.
Speaker Bio: Marinus La Rooij
Marinus La Rooij is an independent researcher with degrees in History and Religious Studies from Otago and Victoria Universities. Raised in Dunedin amidst a large Dutch-Catholic immigrant family, his post-graduate research focused on the rise of conspiracy theories and antisemitism in New Zealand during the 1930s. For over thirty years, he has continued his research with a focus on exploring the process of radicalisation, including the influence of false information and manifestations of extremist thinking in New Zealand and Australia. Marinus has published in scholarly journals overseas and recently was a co-editor of Histories of Hate: The Radical Right in Aotearoa New Zealand (Otago University Press, 2023). Professionally, Marinus has worked as a public servant and consultant on transport and infrastructure matters. He has also worked for a decade as an official and researcher in the Treaty of Waitangi settlement process.
This event is both in-person at 80 Webb St, Te Aro, Wellington, and online via Zoom.
A Zoom link will be circulated to online registrants the week before the event.
CLICK HERE to register to attend in-person
CLICK HERE to register online attendance
To view the recording of our last L’dor V’dor session ‘Jewish Mystery Inside the History – Superheroes and the Holocaust’ with speaker Kris Clancy, HCNZ’s Education Director please CLICK HERE